October,
2015
Dear
Family and Friends:
Working
with Jewish college students on a big campus is always interesting. Or, maybe I
just find things interesting...as they say: “Whatever.” I am fortunate to
advise a group that leads a once-a-month all music Shabbat service. Like so
many other Jewish outfits we call it “Shabbat Rocks.” Our leader couldn’t be
with us so I filled in the other night when the group got together to plan this
Friday's musical service. As most know, I'm no song leader and certainly not
that kind of musician, but I've
worked with a lot of great ones and have a sense of what's good and what may
not be. So I led the meeting but the group made all of the musical decisions.
It was a good meeting.
Michelle
Bennett, Jim and Amy's youngest was great.
She stepped up to the plate to suggest tunes and put together the
program. She's a freshman here at
IU. At one point toward the end
of the evening as we discussed the final prayers of the Shabbat service, she
told us that she had learned a new melody, call and response, for the Aleynu.
She began, “LET US ADORE,” we responded, “Let us adore,” she, “THE EVER LIVING
GOD,” us, “The ever living God,” she “AND RENDER PRAISE...” us, “And render
praise...” and so on. I was floored. When I asked Michelle where she learned
this new tune she replied that Dan(ny) Nichols
had taught it to the campers and staff at Goldman Union Camp Institute last
summer. I could only smile.
You
old timers in the crowd may be able to put the melody to the call and response
Aleynu Michelle taught the other students. It is the one we all grew up with in
our classically Reform synagogues. Here it was
again. Now it was new.
Thinking
back on it, it seems to me that Dan Nichols, phenomenal Jewish songwriter,
performer and (always) song leader, one of the greats at creating new and
exciting Jewish music, is taking our camps, synagogues, teens, college students
and adults back to the future (I wonder if he has a musical flux capacitor),
creating new music and remembering the
music that was. Evidently, some
of that music may be again. He's guiding our Jewish communities toward new
musical experiences with two eyes looking forward and one looking back. I loved
that the group thought it was a cool version of the prayer. Am I reading more
into this than I should? Probably.
When
we actually had the Erev Shabbat service a nice crowd gathered and sang with
gusto. I was assigned the D’var Torah
(short sermon) which came just before the old/new Aleynu. Since it was a music service I decided to
lead a few folk songs instead of talking about the Torah portion of the week. I explained that it seemed to me that our
world is in quite a bit of turmoil what with situations in the Middle East,
Europe, and here. I said that when I sat in those college
student seats the world unfortunately was also in great turmoil and we sang
songs that expressed certain hopes for peace, solidarity and equality. Civil rights, Vietnam, poverty etc. were our
themes. Then we sang. First it was for solidarity, “We Shall Not Be
Moved,” Then for peace, “Michael Row the Boat Ashore,” Then for hope, “This
Little Light of Mine.” I’m happy to say
that, once again we sang with gusto…and the banjo sounded pretty good as well.
Then
came Michelle to teach the Aleynu. I was
transported back even farther than the time of “We Shall Not Be Moved,” when I
was a youngster and, at least for me, there was no turmoil; just my family and
me in our little B’nai Jehoshua synagogue on 20th and Ashland,
standing and singing the prayer together.
Now it’s new.
Thanks, Michelle.
When
Friday rolls around, have a rockin' good Shabbat.
Ron