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(You Gotta) Accentuate the Positive and Eliminate the negative...
Pay no attention to the number by the month. Here's a good thought for the New Year. Shannah Tovah. Ron ...
Sunday, November 1, 1992
A Best Friend
November, 1992
Dear G.U.C.I. Staff:
I must confess that delivering my son to Indiana University has had a profound
affect on me. Along with all of the normal feelings of "I can't believe he's
going away" (read: "I can't believe I'm old enough to actually have a son old
enough for college") that this occasion brings to the forefront, come a whole
host of memories. Lately I've been remembering the unique relationship I had
with my roommate, Gerry Fink. Gerry (pronounced Gary, his mother didn't have
Spellcheck when he was born) and I were best friends all the way through high
school and roomed together for our first three years in college. Many great
friendships meet a jagged end when the friends devolve into "roommate-ness."
Not so with Gerry and me. We were the most opposite two-of-a-kind in
captivity.
As I think back on how we managed to stay best friends, even grow closer during
our college years, I am struck by how different, yet alike we were. Where
Gerry was meticulous with his clothes and supplies, I used to say, "The world
is my closet;" where Gerry studied accounting (the class that ultimately put me
on the 4 1/2 year plan) and was a wiz, I labored through any class that
involved numbers; where Gerry was a peripheral Christian, I was a pretty-
involved Jew; where Gerry lived his summers in the city, I lived for my summers
at camp. But we had two incredible things in common, one was our senses of
humor. We were so equally caustic in our outlooks, so sarcastic, and I believe
so funny that we never ceased to amuse each other. At times we were like a
comedy team, knowing what the other was thinking, finishing each other's
thoughts and sentences, and always laughing. This all started in high school.
We loved to look at the world from unusual angles. We renamed things and so
developed our own dialogues. I'm sure other people thought we were strange at
best, but we had great fun.
The other thing we had in common was a love of jazz. Gerry and I brought our
records to college and somehow managed to put together a decent stereo as
well. We taught each other what little we knew, and shared an incredible
excitement for Count Basie, Dave Bruebeck and Paul Desmond, Oscar Peterson,
etc. The years 1964 to 1968 were very difficult years to be in college.
Friends were drafted right out of college and wound up in the jungles of
southeast Asia. There was tremendous pressure to make grades in order to keep
one's student deferrment. Being a good student was almost a matter of life and
death. Along with the usual not knowing what in the hell we wanted to do with
our lives, the joys and heartaches of many affairs of the heart, and the
pressures of school, we managed to keep each other laughing and snapping our
fingers to the beat. We had only two arguements in our three years together
(the subjects of which are so insignificant I won't mention them other than to
say that one had to do with the best way to get the beer cold).
I was Gerry's best man, and he was mine. Our lives have grown apart, but I
certainly can't avoid thinking back warmly on those days at this time. Thanks
for the memories, Ger.
Ron
Tuesday, September 1, 1992
Camp is Not Enough
September, 1992
Dear G.U.C.I. Staff:
I want to tell you all something that you already know. This camp thing of
ours, it's not enough. That may sound funny coming from me. Don't get me
wrong, there is no one more committed to what we do here at camp, its long
range effects etc., than I am. But I hear from so many of our staff people
that camp is their place to be Jewish, or that camp's the only place they
really feel Jewish, or like that. Well I'm going on record here saying that
this is just not enough.
For many years I have lived my life from one summer to the next. When I was a
college student I literally could not wait for each successive summer. One
would end, and I would already be anticipating the next. What about my Jewish
life between summers? It was practically non-existent. I didn't participate
in any Hillel activities, hardly ever showed my face at services or any other
Jewish functions. Participating in family holiday celebrations, when I found
myself home from school, was about the extent of my Jewish life. Now that I
think back on that time, I realize how Jewishly empty it was. Those years
could have been much richer if I would have been involved more. Also, think
about the things we teach our campers here at camp. How can any of us feel
other than hypocritical if we put on our Jewish faces while we're at camp,
play that part in front of our campers and fellow staff members, and then
remove the face when we leave in August? No! It is simply not enough. If we
really love camp, if it is not just a bunch of words, then we are compelled to
live out camp's teachings throughout our lives. That, to me, means reaching
out to others, joining the Jewish community, affiliating, teaching, joining in
prayer and celebration, social action, etc. Do something, one thing that
ignites the fire you felt at camp. Remember the difference you made in someone
else's life at camp? Do the same thing for yourself. That is the only way to
make camp real and not some sort of fantasy.
When I was a senior in college, for some reason I couldn't get home for
Pesach. A couple of friends and I decided to do our own Seder. We ended up
with 18 people, about half of them non-Jews, all pitching in with the cooking,
then the reading of the service, the explanations of the symbols, teaching the
songs. It was a grand night. One that I will never forget. More experiences
like that would have made my college days more fulfilling, but I didn't see it
then.
The High Holidays are about to descend upon us. Don't let them drift by
unnoticed. It really is an important and emotional time for Jews everywhere.
Be true to the spirit of camp. Join the rest of the Jewish world as we marvel
at the passage of time, and once again dedicate our lives to all that is
honorable and good. I bet it will make you feel good. And it will make our
summer words ring true.
I wish you all a Shannah Tova U'Mitukah, a good and sweet year. Happy 5753.
Ron
Saturday, August 1, 1992
Camp Nostalgia
August 1992
Dear GUCI Staff:
Camp has come and camp has gone. A great summer, but a whirlwind. People often made mention of the fact that it was my eighteenth summer in Zionsville (the staff even threw a surprise Oneg Shabbat in my honor, and honoring Susan Dill’s fifteen years as our secretary, gave us gifts, special food, etc.; a gala and much appreciated occasion) but I didn’t dwell on this thought as the summer raced along. Rather, it was a summer filled with the usual tumult of camp, complicated by terrible weather (rain and cold). It was a “Regular” i.e. magnificent camp season.
But today, two weeks after the yippers have fled; I did something so utterly radical (for me) and as a result was transported back through my years as Director. The experience was both emotional and somewhat overwhelming. What was that radical act? Was it rummaging through old staff contracts, or digging up a time capsule? No. I simply, for the first time in all these years, cleaned out my desk. More years ago than I can really remember, my friend, teacher, and employee (now that I look back on it I’m not sure who was working for whom), Earl Beeler presented me with an old wooden desk that he had sanded and refinished for me. Earl was our camp’s caretaker for 37 years, and I was lucky enough to work with him his last 8. I treasure the desk and have used it all these years. Today, I tried to open the center drawer and couldn’t because it was so crammed with papers, photos, slides, letters, receipts, etc. etc. So I decided to clean it out. What a trip!
I cannot begin to describe the contents of that drawer. I was blown away by the pictures I found, of my boys predating their Shoresh years (since I just this week delivered Jeremy to Indiana University to begin his college career, you can imagine how I was struck by seeing those pictures), of Earl on his tractor, Jim playing bass guitar in a rock band on the stage of the Oolam, of Gert in the kitchen. Pictures I had “Put away” to look at later. And what about those letters I found? Letters signed Bruce, Linda, Joel (Moose), Sandford, Susan Malman, Alex Schindler, Paul Menitoff, etc. Letters thanking me, letters asking for jobs, letters telling me jokes, letters alive with the joys and the struggles of other years at camp.
With each new envelope that I opened, and each slide I held up to the light to see, a memory jumped to mind. The top deck wars of the late 70’s, the training and subsequent contributions of each new Program Director, Mike Weinberg and I designing the new Chadar Ochel in my study carol in the library at HUC. The song leaders: Lee and Ian and Dawn, David and Leslie and Joe, Elliot Strom and Steve Sher, Mike and Rob Weinberg. Building the cabins, fixing the pool, coaxing another year out of the truck or the van. Laughing with Amy, Shirley, the Vigrans, the Watermans, the Snyders, the Wolfs, the Rosses, Glickman, Schwartz, Hertzman, Kamin, Gottlieb, Cincinatus, Goodman, Gottlib, Freedman, Moskowitz, Bennett, Lerner. Out of my drawer jumped the names Tzvika, and IshTov, and Barsade, and Ari Cohen. The sudden swarm of years made me dizzy. Each time I think of the desk, my own personal time capsule, more names march into my mind, more memories, more lives adding to camp and being touched by it. Today I felt in my heart the whole of my eighteen years at camp. It was a good feeling.
One other thing. Father’s Day is always in June, while we are at camp. Today I re-found years and years of Father’s Day cards, some handmade (by very small hands), given to me by Jeremy and Michael. Yes, I had quite a trip today.
Ron
Dear GUCI Staff:
Camp has come and camp has gone. A great summer, but a whirlwind. People often made mention of the fact that it was my eighteenth summer in Zionsville (the staff even threw a surprise Oneg Shabbat in my honor, and honoring Susan Dill’s fifteen years as our secretary, gave us gifts, special food, etc.; a gala and much appreciated occasion) but I didn’t dwell on this thought as the summer raced along. Rather, it was a summer filled with the usual tumult of camp, complicated by terrible weather (rain and cold). It was a “Regular” i.e. magnificent camp season.
But today, two weeks after the yippers have fled; I did something so utterly radical (for me) and as a result was transported back through my years as Director. The experience was both emotional and somewhat overwhelming. What was that radical act? Was it rummaging through old staff contracts, or digging up a time capsule? No. I simply, for the first time in all these years, cleaned out my desk. More years ago than I can really remember, my friend, teacher, and employee (now that I look back on it I’m not sure who was working for whom), Earl Beeler presented me with an old wooden desk that he had sanded and refinished for me. Earl was our camp’s caretaker for 37 years, and I was lucky enough to work with him his last 8. I treasure the desk and have used it all these years. Today, I tried to open the center drawer and couldn’t because it was so crammed with papers, photos, slides, letters, receipts, etc. etc. So I decided to clean it out. What a trip!
I cannot begin to describe the contents of that drawer. I was blown away by the pictures I found, of my boys predating their Shoresh years (since I just this week delivered Jeremy to Indiana University to begin his college career, you can imagine how I was struck by seeing those pictures), of Earl on his tractor, Jim playing bass guitar in a rock band on the stage of the Oolam, of Gert in the kitchen. Pictures I had “Put away” to look at later. And what about those letters I found? Letters signed Bruce, Linda, Joel (Moose), Sandford, Susan Malman, Alex Schindler, Paul Menitoff, etc. Letters thanking me, letters asking for jobs, letters telling me jokes, letters alive with the joys and the struggles of other years at camp.
With each new envelope that I opened, and each slide I held up to the light to see, a memory jumped to mind. The top deck wars of the late 70’s, the training and subsequent contributions of each new Program Director, Mike Weinberg and I designing the new Chadar Ochel in my study carol in the library at HUC. The song leaders: Lee and Ian and Dawn, David and Leslie and Joe, Elliot Strom and Steve Sher, Mike and Rob Weinberg. Building the cabins, fixing the pool, coaxing another year out of the truck or the van. Laughing with Amy, Shirley, the Vigrans, the Watermans, the Snyders, the Wolfs, the Rosses, Glickman, Schwartz, Hertzman, Kamin, Gottlieb, Cincinatus, Goodman, Gottlib, Freedman, Moskowitz, Bennett, Lerner. Out of my drawer jumped the names Tzvika, and IshTov, and Barsade, and Ari Cohen. The sudden swarm of years made me dizzy. Each time I think of the desk, my own personal time capsule, more names march into my mind, more memories, more lives adding to camp and being touched by it. Today I felt in my heart the whole of my eighteen years at camp. It was a good feeling.
One other thing. Father’s Day is always in June, while we are at camp. Today I re-found years and years of Father’s Day cards, some handmade (by very small hands), given to me by Jeremy and Michael. Yes, I had quite a trip today.
Ron
Sunday, March 1, 1992
Ani V'Atah
March, 1992
Dear G.U.C.I. Staff:
The weather's turned warm here and thoughts of the upcoming camp season are
inescapable. As always, it is invigorating to think about the energy, the
involvement, the life of camp. But it's a little scary as well. Why, I have
often asked myself, would anyone put him/herself in a position to be
responsible for the well-being of almost eight hundred people during the course
of a summer? Sounds crazy, no? Like a Camp Director on the roof.
I find part of the answer to that question in the lyrics of two songs, one of
which I'm sure you'll recognize. How many times either here at camp, or at
OVFTY events, or NFTY conventions have we sung, "Ani V'Atah Nishaney Et Ha Olam,
You And I Will Change The World?" I really believe that in my own miniscule
way I am helping the world be a better place by being the Director of Goldman
Union Camp. And I really believe that "You and I," you, our staff, and I, our
Director "Change The World" each summer in many small and many, many
significant ways. I think you understand what I mean.
It is important for all of us to consider what we are doing or going to do to
make this world a better place. It is simply not enough to aim for a career,
for money, fame, etc. If we are not contributing to the betterment of the
human experience, then ultimately, many of the things we accomplish in our
lives will leave a sour taste in our mouths. I'm not saying that material
things are unimportant, but how can they compare to giving of yourself,
striving with others, teaching, building, learning, and laughing? The longer I
live the more I come to realize that it is not the car you drive but the
direction you point it in that really matters. I hope those of you who are
about to begin your college careers will chew on this for a while.
I am not so idealistic as to think that what I've suggested is enough for us.
You should be asking, "What's the payoff?" The second song I've been thinking
about is a little more obscure. Some of you may have heard the old Zionist
song that proclaims "We will build the land (of Israel) and so be rebuilt by
it." And this is the secret payoff of a summer or many summers at camp. The
more we strive to create a better (even perfect) world here at camp, the harder
we work, the better the program, the more we give our campers...the more we are
rebuilt by the experience. The more we teach the more we learn. The more we
help others, the more we are helped. The more we strive together, the more we
feel a sense of community, of family, of Klal Yisrael. I can't escape an
uplifting feeling of pride in this Movement of ours, our camp, our NFTY
regions.
So bring on the summer of 1992! Let's do it again. Let's make that
difference, no matter how small. And, by the way, let's have some fun doing it
together.
Ron
Dear G.U.C.I. Staff:
The weather's turned warm here and thoughts of the upcoming camp season are
inescapable. As always, it is invigorating to think about the energy, the
involvement, the life of camp. But it's a little scary as well. Why, I have
often asked myself, would anyone put him/herself in a position to be
responsible for the well-being of almost eight hundred people during the course
of a summer? Sounds crazy, no? Like a Camp Director on the roof.
I find part of the answer to that question in the lyrics of two songs, one of
which I'm sure you'll recognize. How many times either here at camp, or at
OVFTY events, or NFTY conventions have we sung, "Ani V'Atah Nishaney Et Ha Olam,
You And I Will Change The World?" I really believe that in my own miniscule
way I am helping the world be a better place by being the Director of Goldman
Union Camp. And I really believe that "You and I," you, our staff, and I, our
Director "Change The World" each summer in many small and many, many
significant ways. I think you understand what I mean.
It is important for all of us to consider what we are doing or going to do to
make this world a better place. It is simply not enough to aim for a career,
for money, fame, etc. If we are not contributing to the betterment of the
human experience, then ultimately, many of the things we accomplish in our
lives will leave a sour taste in our mouths. I'm not saying that material
things are unimportant, but how can they compare to giving of yourself,
striving with others, teaching, building, learning, and laughing? The longer I
live the more I come to realize that it is not the car you drive but the
direction you point it in that really matters. I hope those of you who are
about to begin your college careers will chew on this for a while.
I am not so idealistic as to think that what I've suggested is enough for us.
You should be asking, "What's the payoff?" The second song I've been thinking
about is a little more obscure. Some of you may have heard the old Zionist
song that proclaims "We will build the land (of Israel) and so be rebuilt by
it." And this is the secret payoff of a summer or many summers at camp. The
more we strive to create a better (even perfect) world here at camp, the harder
we work, the better the program, the more we give our campers...the more we are
rebuilt by the experience. The more we teach the more we learn. The more we
help others, the more we are helped. The more we strive together, the more we
feel a sense of community, of family, of Klal Yisrael. I can't escape an
uplifting feeling of pride in this Movement of ours, our camp, our NFTY
regions.
So bring on the summer of 1992! Let's do it again. Let's make that
difference, no matter how small. And, by the way, let's have some fun doing it
together.
Ron
Monday, January 20, 1992
Debbie Freedman
Dear Friends and Family:
At our Seder this week we read (as always) from The Song of Songs, "Arise my love, my fair one, and come away; For lo, the winter is past. Flowers appear on the earth." Well that is exactly what's happening and we are delighted to see the snows melt.
But this reading always reminds me of Debbie Freedman. She put the words to music and her melodies are with me, always. Here's a staff letter I wrote about her over twenty years ago. I miss her. We all do. We've got her songs in our hearts.
January, 1992
Dear G.U.C.I. Staff:
Sometimes I marvel at the power of music. In a very real sense it enhances and
helps us express our emotions. We remember times in our lives by the songs of
the day. Our music defines our generation. And as we camp people all know,
music has a unique power to bring people together, to unite us, and help us
express our feelings of belonging to one community.
Last night I took a magical mystery tour into a multi-generational musical
experience. I joined about thirty other religious school teachers for a
rainy/snowy bus ride down to Indiana University to hear and participate in a
Debbie Freedman concert. Multi-generational because most of the bus riders
were about my age, but waiting for us in the auditorium (unbeknownst to me)
were several camp staff members. They greeted me warmly and I felt happy that
they had taken the trouble to come and hear someone whom I think has been so
important to our camps and our movement.
It was magical as well because Debbie Freedman, a musical pioneer in her own
right, was one of the first to write modern Jewish folk music. She brought us
from "Hava Na Gila" to "Not By Might," from "Leaving On A Jetplane" to "Lechi
Lach." I'd be the last to say that we shouldn't sing "The old songs." But
Debbie Freedman writes the Jewish songs of our generation. Her songs are sung
in every camp and Reform synagogue in North America. What an impact she has
had.
It was emotional for me as well. At one point, last night, she stopped to
acknowledge my presence in the audience. You see, in 1973 Debbie was a
counselor and song leader in my unit. She told the audience that I had been
her boss. I was indeed her Unit Head, but I'm not sure who was the boss.
Debbie was just finishing the music for her first album. She was quite a
phenomenon. She was pioneering new areas of Jewish music, and boy was it
exciting! She was a demanding songleader who knew exactly what she wanted. I
remember vividly how one day she stopped a special rehearsal of the entire camp
(we were learning her songs with all the harmonies in order to perform them for
ourselves in a gala musical tochnit erev) and when it was absolutely dead quiet
said to the entire group, "Klotz is not singing." She got my attention.
For me, it was very special that she would remember and remark about those
years we worked together in camp. And it was heartening to realize that we
continue to work toward the same goals today as we did then; she still creates
incredibly moving and educational Jewish music, songs of faith and peace,
prayers and lessons. And me? Well I'm still plugging away at camp too. The
evening was both nostalgic and inspirational. We'll sing Debbie Freedman's
songs for many years to come. And believe me, she'll never catch me with my
mouth shut at one of her song sessions again.
Ron
At our Seder this week we read (as always) from The Song of Songs, "Arise my love, my fair one, and come away; For lo, the winter is past. Flowers appear on the earth." Well that is exactly what's happening and we are delighted to see the snows melt.
But this reading always reminds me of Debbie Freedman. She put the words to music and her melodies are with me, always. Here's a staff letter I wrote about her over twenty years ago. I miss her. We all do. We've got her songs in our hearts.
January, 1992
Dear G.U.C.I. Staff:
Sometimes I marvel at the power of music. In a very real sense it enhances and
helps us express our emotions. We remember times in our lives by the songs of
the day. Our music defines our generation. And as we camp people all know,
music has a unique power to bring people together, to unite us, and help us
express our feelings of belonging to one community.
Last night I took a magical mystery tour into a multi-generational musical
experience. I joined about thirty other religious school teachers for a
rainy/snowy bus ride down to Indiana University to hear and participate in a
Debbie Freedman concert. Multi-generational because most of the bus riders
were about my age, but waiting for us in the auditorium (unbeknownst to me)
were several camp staff members. They greeted me warmly and I felt happy that
they had taken the trouble to come and hear someone whom I think has been so
important to our camps and our movement.
It was magical as well because Debbie Freedman, a musical pioneer in her own
right, was one of the first to write modern Jewish folk music. She brought us
from "Hava Na Gila" to "Not By Might," from "Leaving On A Jetplane" to "Lechi
Lach." I'd be the last to say that we shouldn't sing "The old songs." But
Debbie Freedman writes the Jewish songs of our generation. Her songs are sung
in every camp and Reform synagogue in North America. What an impact she has
had.
It was emotional for me as well. At one point, last night, she stopped to
acknowledge my presence in the audience. You see, in 1973 Debbie was a
counselor and song leader in my unit. She told the audience that I had been
her boss. I was indeed her Unit Head, but I'm not sure who was the boss.
Debbie was just finishing the music for her first album. She was quite a
phenomenon. She was pioneering new areas of Jewish music, and boy was it
exciting! She was a demanding songleader who knew exactly what she wanted. I
remember vividly how one day she stopped a special rehearsal of the entire camp
(we were learning her songs with all the harmonies in order to perform them for
ourselves in a gala musical tochnit erev) and when it was absolutely dead quiet
said to the entire group, "Klotz is not singing." She got my attention.
For me, it was very special that she would remember and remark about those
years we worked together in camp. And it was heartening to realize that we
continue to work toward the same goals today as we did then; she still creates
incredibly moving and educational Jewish music, songs of faith and peace,
prayers and lessons. And me? Well I'm still plugging away at camp too. The
evening was both nostalgic and inspirational. We'll sing Debbie Freedman's
songs for many years to come. And believe me, she'll never catch me with my
mouth shut at one of her song sessions again.
Ron
Wednesday, May 1, 1991
Brotherhood Work Weekend
May, 1991
Dear G.U.C.I. Staff:
I had the opportunity, last week, to participate in a very special Havdalah
service. Havdalah, along with the closing (Ne'elah) service on Yom Kippur have
always been my favorite services. Last Shabbat was special. Last Shabbat was
the brotherhood work weekend here at camp. I'm sure that most of you have
never heard of this event. Twelve years ago brotherhood members from our
Reform congregation in Toledo, Ohio asked me how they could help the camp. It
seemed that they didn't have the budget to contribute financially to G.U.C.I.,
but were willing to contribute in other ways. We came up with the idea of a
brotherhood work weekend. It's really quite simple; a dozen or so members of
the Todedo brotherhood (now joined by some Indianapolis, Cincinnati, and Terre
Haute brotherhood members) come to camp on a Thursday night one weekend each
Spring, and work their asses off doing anything I ask them to do until Sunday
afternoon. I'm talking electrical work, carpentry, landscaping, painting,
cutting wood, etc. etc. Some of the men are quite skilled. Others, like me,
carry the wood, shovel the gravel, and push the paint brushes. If you have
been to camp in the last decade, you've seen their work: a new roof on the Beit
Am, new steps carved into the hill on the path to the boys' area, our soccer
goals, The lighting system in the Oolam, shelves and cubbies in each of the
cabins, benches in the Chadar Ochel, roof on the athletic shed, and many other
projects including this year's, a magnificent new deck/porch on our newly
remodled Avodah bulding.
One of the special moments during each of the work weekends has been our unique
Havdalah service. As we all know, Havdalah demarks the end of the day of rest
and the beginning of the work week. But, on these weekends we work harder than
we do during our usual work week. Havdalah might seem strange under these
circumstances. The reality is, however, that the Havdalah service is very
appropriate, because the type of work we are doing is unique, almost sacred.
The brotherhood members understand that their labors are a Mitzvah; that they
are doing their part to make camp better for all of our kids. The brotherhood
work weekend Havdalah is a religious thank you for the opportunity to be
together and to perform such an important Mitzvah. Their spirit matches that
of our summer staff, and as such its uplifting to work with these men.
In just a few weeks our Unit Heads, specialists, counselors, Machonickim, and
Avodahnickim will gather to once again create our special kind of summer camp.
In much the same way as that of the brotherhood members, our work will be
unique. We know it will not be easy. But each Shabbat we will remark at how
quickly our time together at camp is passing, and at Havdalah most of us will
give thanks for the opportunity given us to be together and do this good work.
Ron
Dear G.U.C.I. Staff:
I had the opportunity, last week, to participate in a very special Havdalah
service. Havdalah, along with the closing (Ne'elah) service on Yom Kippur have
always been my favorite services. Last Shabbat was special. Last Shabbat was
the brotherhood work weekend here at camp. I'm sure that most of you have
never heard of this event. Twelve years ago brotherhood members from our
Reform congregation in Toledo, Ohio asked me how they could help the camp. It
seemed that they didn't have the budget to contribute financially to G.U.C.I.,
but were willing to contribute in other ways. We came up with the idea of a
brotherhood work weekend. It's really quite simple; a dozen or so members of
the Todedo brotherhood (now joined by some Indianapolis, Cincinnati, and Terre
Haute brotherhood members) come to camp on a Thursday night one weekend each
Spring, and work their asses off doing anything I ask them to do until Sunday
afternoon. I'm talking electrical work, carpentry, landscaping, painting,
cutting wood, etc. etc. Some of the men are quite skilled. Others, like me,
carry the wood, shovel the gravel, and push the paint brushes. If you have
been to camp in the last decade, you've seen their work: a new roof on the Beit
Am, new steps carved into the hill on the path to the boys' area, our soccer
goals, The lighting system in the Oolam, shelves and cubbies in each of the
cabins, benches in the Chadar Ochel, roof on the athletic shed, and many other
projects including this year's, a magnificent new deck/porch on our newly
remodled Avodah bulding.
One of the special moments during each of the work weekends has been our unique
Havdalah service. As we all know, Havdalah demarks the end of the day of rest
and the beginning of the work week. But, on these weekends we work harder than
we do during our usual work week. Havdalah might seem strange under these
circumstances. The reality is, however, that the Havdalah service is very
appropriate, because the type of work we are doing is unique, almost sacred.
The brotherhood members understand that their labors are a Mitzvah; that they
are doing their part to make camp better for all of our kids. The brotherhood
work weekend Havdalah is a religious thank you for the opportunity to be
together and to perform such an important Mitzvah. Their spirit matches that
of our summer staff, and as such its uplifting to work with these men.
In just a few weeks our Unit Heads, specialists, counselors, Machonickim, and
Avodahnickim will gather to once again create our special kind of summer camp.
In much the same way as that of the brotherhood members, our work will be
unique. We know it will not be easy. But each Shabbat we will remark at how
quickly our time together at camp is passing, and at Havdalah most of us will
give thanks for the opportunity given us to be together and do this good work.
Ron
Monday, April 1, 1991
The Poet
March 1991
Dear G.U.C.I. Staff:
It has been a long time since I've written, I'm sorry. This winter's been
rather rough and depressing, filled with the dread of war, a couple of close
friends about to divorce, a classmate's serious illness, you get the picture.
But the promise of spring is almost in the air and I am encouraged by the
thought that in a short time the little yippers will be back, noisy, messy,
full of life and hope, and laughter (and maybe even a few tears).
Yesterday the Indianapolis community lost a unique member. He was a black poet
named Etheridge Knight, 61 years old who died of cancer. I normally would not
burden you with such sad news, but Mr. Knight was an acquaintance of mine, an
unusual and uplifting sort of fellow, whose life and words bring me a feeling
of joy even at this time of loss.
I met Etheridge last year in a downtown bar called the Chatterbox. It's a
place I used to frequent to hear local jazz musicians jam late into the night.
It was anything but high class (kind of a wide hallway with tables and a
postage stamp sized bandstand), but the music was hot and the beer was cold. I
often went to listen to Jimmy Coe, a favorite tenor sax player who, at 62 years
of age, could blow with the kids, had played with the greats including Charlie
Parker, and represented (to me) the totality of the history of black jazz. But
he should be the subject of a letter all his own.
One night very late, I'm listening to the quartet, Jimmy Coe introduces Etheridge Knight who takes the mike to read poetry against the background of a quite blues number. I kind of
laughed to myself, thinking we were flashing back to Greenwich Village in the
late 50's when beatniks held poetry readings to jazz accompaniment (I admit to
spending time on the north side of Chicago, in my youth, in such coffee houses
listening to existentialists, and wishing I was old enough to grow a goatee).
At first, as you can tell, I didn't take this scene very seriously.
But when Etheridge began to speak, his words commanded an immediate respect.
It was apparent that the audience felt it was hearing something important.
Knight recited poems that he had written while in prison. He'd spent seven
years in a federal penitentiary (I never had the nerve to ask him about his
crime), and spoke of the freedom of the soul and the shackles of society. From
the midst of despair, drug addiction, incarceration, he wrote of life and love,
music and creativity. He blew me away.
Later, I was lucky enough to be able to sit and talk with Etheridge. We had a
drink. He got a kick out of the fact that I was a Rabbi wearing gym shoes and
an old army jacket. As parents always do, we started talking about our kids.
Then a bit of magic happened. The poet leaned over and, in a lowered voice,
told me that he had something special to share with me, a poem that he had
written to his daughter, while he was still in prison. He paused, and then
recited to me personally a heartbreaking poem of the anguish he felt as a
father, deprived of seeing his child grow up. He blew me away again.
I saw Etheridge Knight many times after that night, always at the Chatterbox.
As he walked by my table he would usually nod and say "Rabbi..." To which I
would reply, "Poet..." We'd smile at our "titles." Now that he is gone, I
can't help but think of his style, his spirit, undaunted, wounded, smiling
through the tears. It makes me think of spring and the coming onslaught of the
little yippers and how happy I am that this place will once again be filled
with them.
Ron
Dear G.U.C.I. Staff:
It has been a long time since I've written, I'm sorry. This winter's been
rather rough and depressing, filled with the dread of war, a couple of close
friends about to divorce, a classmate's serious illness, you get the picture.
But the promise of spring is almost in the air and I am encouraged by the
thought that in a short time the little yippers will be back, noisy, messy,
full of life and hope, and laughter (and maybe even a few tears).
Yesterday the Indianapolis community lost a unique member. He was a black poet
named Etheridge Knight, 61 years old who died of cancer. I normally would not
burden you with such sad news, but Mr. Knight was an acquaintance of mine, an
unusual and uplifting sort of fellow, whose life and words bring me a feeling
of joy even at this time of loss.
I met Etheridge last year in a downtown bar called the Chatterbox. It's a
place I used to frequent to hear local jazz musicians jam late into the night.
It was anything but high class (kind of a wide hallway with tables and a
postage stamp sized bandstand), but the music was hot and the beer was cold. I
often went to listen to Jimmy Coe, a favorite tenor sax player who, at 62 years
of age, could blow with the kids, had played with the greats including Charlie
Parker, and represented (to me) the totality of the history of black jazz. But
he should be the subject of a letter all his own.
One night very late, I'm listening to the quartet, Jimmy Coe introduces Etheridge Knight who takes the mike to read poetry against the background of a quite blues number. I kind of
laughed to myself, thinking we were flashing back to Greenwich Village in the
late 50's when beatniks held poetry readings to jazz accompaniment (I admit to
spending time on the north side of Chicago, in my youth, in such coffee houses
listening to existentialists, and wishing I was old enough to grow a goatee).
At first, as you can tell, I didn't take this scene very seriously.
But when Etheridge began to speak, his words commanded an immediate respect.
It was apparent that the audience felt it was hearing something important.
Knight recited poems that he had written while in prison. He'd spent seven
years in a federal penitentiary (I never had the nerve to ask him about his
crime), and spoke of the freedom of the soul and the shackles of society. From
the midst of despair, drug addiction, incarceration, he wrote of life and love,
music and creativity. He blew me away.
Later, I was lucky enough to be able to sit and talk with Etheridge. We had a
drink. He got a kick out of the fact that I was a Rabbi wearing gym shoes and
an old army jacket. As parents always do, we started talking about our kids.
Then a bit of magic happened. The poet leaned over and, in a lowered voice,
told me that he had something special to share with me, a poem that he had
written to his daughter, while he was still in prison. He paused, and then
recited to me personally a heartbreaking poem of the anguish he felt as a
father, deprived of seeing his child grow up. He blew me away again.
I saw Etheridge Knight many times after that night, always at the Chatterbox.
As he walked by my table he would usually nod and say "Rabbi..." To which I
would reply, "Poet..." We'd smile at our "titles." Now that he is gone, I
can't help but think of his style, his spirit, undaunted, wounded, smiling
through the tears. It makes me think of spring and the coming onslaught of the
little yippers and how happy I am that this place will once again be filled
with them.
Ron
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